The Clave De Sol

El clave de sol es una figura general y melodic para task el mundo que simboliza la flor y el Sol, y en él se puede sentir un ritmo medio. Este pequeo objeto está sometido an un proceso artesanal de oxidación y posteriormente acabado mate, en nuestro pequeo taller de barrio Gracia de Barcelona.

Melodic hypothesis in view of clave gives a system that assists performers with understanding how to play together. It makes sense of the connection between the directing heartbeat design and different pieces of a melody. A similar idea is utilized in numerous different styles of music, from Latin jazz to African and Haitian rhythms. The clave idea and related wording are now and again mistook for other musical frameworks, like those tracked down in sub-Saharan Africa and Brazil.

The clave mood and idea are likewise utilized in some advanced workmanship music ("traditional") arrangements, for example, the catch drum suite "Rumba Clave" by Cuban percussionist Roberto Vizcaino. It is likewise a typical component in well known Cuban music, like mambo and salsa.

While the clave mood is established in the melodic legacy of Afro-Cubans, it has spread to the remainder of the Caribbean, where it very well may be heard in Jamaican mento, Trinidadian soca and Martinique's biguine. Almost certainly, these more modest island countries embraced the musicality from Cuban child accounts that started to circle during the 1930s.

One of the most troublesome parts of playing clave-based music is that it frequently transforms from a three-side (3-2) to two-side (2-3), or the other way around, as a component of the symphonious movement. It takes a ton of training to foster the adaptability to reorder your perspective while playing tunes more than once.

The initial three strokes of the clave are called tresillo in Cuban music. They are named for the way that they make a trio, i.e., three practically equivalent beats in similar time as two primary beats. Likewise, the second stroke of the clave is known as a "cuchillo." These are the names of two of the fundamental types of duple-beat clave successions that exist in Cuban music. Both are utilized in rumba, however the two-cuchillo structure is typically connected with guaguanco and yambu, while the three-cuchillo structure is all the more regularly utilized in timba and songo.

A few sorts of clave are integrated into other Afro-Cuban music, including salsa and afrobeat. The afrobeat guitar part displayed underneath depends on a 2-3 onbeat/unique clave Clave de sol , and most salsa piano guajeos are gotten from this equivalent succession. The clave is likewise present in some Haitian and Brazilian music, however these purposes are disputable on the grounds that they don't fit the 3-2/2-3 idea of Afro-Cuban clave.