Conducting a Windband

Whether known as concert band, wind ensemble, or symphonic wind orchestra the medium of windband has evolved throughout music history. This has been due to a range of influences such as instrumentation, timbre, and the availability of literature (both original and transcribed). Regardless of what label is used the modern concert band reflects a long tradition of musical performance. It is an ensemble that enjoys a strong presence in collegiate music programs and performs frequently at national conventions of the College Band Directors National Association, the American Bandmasters’ Association, and the Music Educators’ National Conference.

In recent times the wind band has seen a surge of popularity in the United States. This has been partially due to a large body of collegiate performers who maintain high standards and who are willing to travel in order to support their work. The ubiquity of wind bands has also helped to keep the medium in good standing with composers who continue to write inventive works for the ensemble.

The name of the ensemble will depend on where it is located, the type of instruments it uses and its musical mission. Traditionally it is an ensemble that plays at a level that is above the military band but below a full symphony orchestra. Typically it will contain woodwinds, brass and percussion instruments. This is a group that has a very distinct and unique sound. The combination of the various instruments gives the group a powerful sound and enables it to play very advanced music.

One of the great challenges in conducting a wind band is maintaining a balance of dynamic control and intonation. There are many things that can be done to help with this, the most important being to encourage active listening within the ensemble. This can be done by encouraging all members to listen to what others are playing and then respond appropriately. Another helpful tool is to use the pyramid of sound technique. This is a method of balancing the sounds within an ensemble so that more volume comes from bass instruments and less from soprano instruments. This provides a solid foundation that enables the sound of the higher instruments to float on top of it.

A good way to achieve this is through the use of a double pyramid balance system. This is an extremely Windband effective way to ensure that the sound is well balanced and blends together nicely. Using the pyramid of sound will improve intonation, dynamic control and overall sound quality in your ensemble.

Articulation on repeated pitches tends to require more attention with a wind/brass ensemble than with a string orchestra. This is particularly true with the lower woodwinds. Using the pyramid of sound technique will help to make sure that repeated pitches are articulated more cleanly and that the musical line doesn’t break apart on each attack. In addition, the use of accents and staccato needs to be carefully considered when leading a wind/brass ensemble.